Studio Drummer – Chart Reading – Practical Advantages

*HERE IS A GREAT EXAMPLE FROM MY EXPERIENCE WHY IT’S SO IMPORTANT TO BE ABLE TO WRITE YOUR OWN CHARTS.*

 

Previously, I mentioned having to work with long charts and in one particular situation I was confronted with exactly that on a pressure-packed live gig. 

 

There was a book for this gig, in other words the show had a book of charts that were in plastic sleeves whereby the drummer could flip the pages and move through the voluminous individual charts, which were up to 8 to 10 pages long.  The previous drummer had handled this issue by putting one stick in his mouth while turning pages which can be a common way to handle this.  The problem was that the groove was suffering at the point of page turning. 

Being that this gig was one that I wanted to nail I took the time to write my own charts.

 

The reason why the charts are often so long is that the musical pieces are constantly changing key so the writer can’t use repeat signs.  However we are able to since we’re not a chordal instrument. 

 

I was able to reduce 8 page charts down to very accurate 3 or 4 page charts that involved no page turning.  Plus as you experienced folk know, a 3 to 4 page chart will be readable on a single music stand instead of 2.  If a chart is just too long you can also have one stand on one side and one on the other.  There were some songs on the Calgary Stampede that I decided to use the show’s charts for and they were a little more than 4 pages in length, so I used that trick.    


And best of all regarding this added work and preparation, I could paste the entire performance to the wall the entire time with no physical interruptions!

 

 check out the final installment coming!

 

 

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Reading Charts

READING

 

Being able to read music in a drummer’s world, also commonly known as lead sheets or chord charts is a vital part of being a successful and busy studio drummer. 

 This is often a thorny issue for drummers and one that they would like to circumvent but I urge you not to try to maneuver your way around it.

 Instead go through it!

 One of the best descriptions of chart reading is one that is common in the musical community.  And I like it.

 *READING IS NOT A TALENT, IT’S A SKILL!*

That’s right!  Reading is really all about practice.  It doesn’t reside on the same plain or side of the brain as being a player and an artist.  As an artist there is a point where you either have the goods or you don’t.  It IS a talent whereas reading is a skill.

 The more you work at this skill the better and better you’re going to get it. 

 *BUT IT’S A SKILL THAT’S AN ABSOLUTE REQUIREMENT.*

 ‘Do you want to hit the base hit or do you want to hit the home run?’

 This is a fundamental question that you have to ask yourself!

 There is nothing worse than walking into a session and sure enough there is someone there handing out charts.  Maybe the charts are fairly involved and are 4 pages long! 

 You realize suddenly that you’ve walked into something that is a mile over your head!   Terror ensues!  You may be capable of playing everything that the instrument requires but since you can’t read you have no idea what is going on.

 Even if you do read there is that moment when you can get a lump in the throat!   I remember playing with Ray Charles on live television.  He flew up just to do a couple of numbers and we’re rehearsing the material in the basement of the theatre just prior to going on TV.  There is that moment when the charts are handed out that can be somewhat nerve racking.  Again you don’t know what you’re getting.  Ray also had a reputation of being pretty rough with sidemen.

to be continued 🙂

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