Studio Drummer – Foundations!

Miles Davis was once asked what were the raw essentials of having a great band. Miles replied, you have to have a great drummer. The interviewer then asked, what if you don’t have a great drummer? Miles replied,
YOU DON’T HAVE A BAND!

At e-studio-drummer we like to break down important aspects that are often overlooked. Often these aspects are overlooked to looked for different reasons. Inexperience is the first stumbling block. Trying to prematurely look ‘cool’ is often the biggest culprit. While sometimes this can work in your favor more often it’s an impediment.

YOU are the foundation of the music. Of course this works in concert with the rhythm section as well. But think of it as building a house. You are the framer. But first and foremost you are the creator of the foundation. The foundation is literally and figuratively the ‘bottom line’.
Very precise! In e-studio-drummer mentality, you are ‘framing a house’. Inches and fractions of inches matter, akin to the literal foundation and co-framer of a house.
If you alone, are out by an inch or less creating this foundation, by the time you get 2 stories up in the framing of a house you’ve got major problems.
For eg. If you screw up the measurement or the cut of an important structural beam, you’ve screwed up the house’s structure exponentially as the construction above this mistake continues! In our case, the ‘construction’ above us are the live band members and/or overdubs that are being added on top of the foundation you’re creating.

Of course we are human and not perfect. But we all continue to strive for more precision AND more creativity. Great creativity and fluidity is not that far off from plum lines, leveling and measuring.
But it all starts at this foundational level.

Give a lot of attention to note length. Discover and practice note duration. If you’re underpinning a large band for example and you have pauses and rests in the music you have to understand note length. I played brass for years before drums which was a great foundation for this aspect. Be aware of this very important aspect.

Being second nature with a click track or metronome is the bedrock of this. Burning note length into your head is not only when you’re playing and controlling a band large or small. It’s also when you’re resting for 2 beats, a bar or more. Learn how to perhaps mark enough time for the band members if necessary. If someone tends to rush or drag for example, mark time with perhaps a light hi hat to keep everyone on the same page

For starters, a physical aspect,

Thinking of our focus on foundation you have to have a solid throne. Have you ever observed a pianist and how they will meticulously adjust their throne/stool height and positioning so as to maximize their performance, endurance and musicality?
We have this very important foundational issue as well. When we have 4 limbs in motion often with a huge amount of physicality you have to have this obvious but so often overlooked piece of gear nailed.

ONCE YOU HAVE A VERY SOLID UNDERSTANDING OF THIS FOUNDATIONAL LEVEL YOU CAN START TO ‘MOVE’ ASPECTS OF THE INSTRUMENT WITH FULL INTENTION, AS IN ‘BACKBEATS’ETC

More discussion on this aspect coming from e-studio-drummer.com!

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Studio Drummer – Another example of a ‘time flip’

As another studio drummer addition to the last post here is another very clever ‘time flip’this time by The Eagles.
It’s very subtle but is such a clever songwriting twist that adds an element of interest. And I have more examples of this to come!

TAKE IT EASY by The Eagles;
Listen to this intro and there is something very interesting about it. Important thing to note in this instance. The ‘time’is all rooted in the guitars. There is no drum indication of where 2 and 4 is!

It can be interpreted as making sense musically in both of these examples… Until you hit the downbeat of verse 1!
For eg. Interpret the guitar intro as landing on beat 1 and listen through until the beginning of the verse. Do you hear the problem? You’re late entering the verse by an 1/8 note.

Then hear it the right way! The intro, correctly played is an 1/8 note push into beat one of the 8 bar song intro.

As an e-studio-drummer tip? Practice hearing this intro both ways for your own protection first and foremost.
Especially if you’ve heard the song for years, it’s a good thing to do!

Sounds intentional on Beat 1, drums are hitting downbeats and guitars are playing upbeats. But note how they don’t really (cleverly) indicate a real 2 and 4. So you continue on in peril.

Everything grooves perfectly. Until you come out of the intro an 1/8 beat late into the first verse!

Then here’s the same thing again!
Hear it this time as an 1/8 note push into beat one;

The track (and drum) pushes are an 1/8 note before beat 1 and the guitars are downbeats. It lands perfectly after 4 bars on beat one of the verse.

My Point is it’s deceptive how you can hear this intro BOTH ways as being very musical and intentional!

It’s a matter of a single 1/8 note of understanding! A single fraction that can turn the band upside down once you fill into the verse and you’re out of a job.

What I find interesting is the intentional aspect of this in the songwriting. I absolutely believe this is intentional to make the listener float somewhat and perhaps not be able to identify where the downbeat is but… once it lands it’s so simple, yet engaging.

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